Greg Freeman Announces Major North American Tour for 2026

Key Takeaways

• Freeman expands the “Burnover” moment into a full North American run across the U.S. and Canada, with headline shows through early 2026.
• Dates include Dallas, Los Angeles, Nashville, Toronto, Chicago, New York and more—culminating in back-to-back Burlington finales on Feb 1.
• The tour announcement arrived alongside the “Gulch” video—splicing performance with the Cerrillos Burro Race—fueling fan buzz.
• Select dates list support from Golomb (e.g., New York’s Bowery Ballroom), pointing to a tight, indie-leaning bill.

The camera jolts, dust lifting off a New Mexico road. Donkeys sprint by as a guitar flashes into frame—Greg Freeman’s “Gulch” feels like a dispatch from the open West and a mission statement for his live era.

The song—off his acclaimed 2025 LP, Burnover—just arrived with a kinetic video, and with it, a promise: Freeman is taking this energy on the road, announcing a major North American tour that begins after December warm-ups and rolls into early 2026.

The timing couldn’t be sharper. Burnover landed in August and has been stacking praise, and fans now have dates to circle in pen across the U.S. and Canada.

This piece dives into the stops, the story behind the “Burnover” era, and why this run could be Freeman’s most defining stretch yet.

The “Burnover” Momentum—And Why This Tour Matters

Freeman’s second album, Burnover, has been an indie-rock standout, praised for vivid storytelling (“historical fiction” epics alongside raw heartbreak) and a taut, alt-country edge.

Reviews singled out the album’s urgency and scope—“leaner, punchier” songs with big emotional lift—making a headline tour feel inevitable.

With Pitchfork coverage, Paste plaudits, and playlist love, the stage is set for rooms where these songs can crackle. Expect “Point and Shoot,” “Gallic Shrug,” “Sawmill,” and the title track to anchor a set that swings from whisper-intimate to chest-rattling.

And then there’s the visual spark: the “Gulch” video, intercut with the Cerrillos Burro Race, threads hardpan Americana into the music’s restless pulse. It’s a reminder that Freeman’s world-building isn’t just on the record—it lives in motion, which is precisely what tours are built to amplify.

Full Route: December 2025 Warm-Ups → 2026 Headline Stretch

Freeman tees up the run with compact December club dates and then fans out across North America in January. Highlights include Los Angeles, Nashville, Toronto, Chicago, New York and a two-night close in Burlington. A snapshot

December 2025 (U.S. warm-ups)

• Dec 1 — Dallas, TX (Club Dada)
• Dec 2 — Austin, TX (29th Street Ballroom)
• Dec 4 — Phoenix, AZ (Valley Bar)
• Dec 5 — Los Angeles, CA (The Echo)
• Dec 6 — San Francisco, CA (Rickshaw Stop)
• Dec 8 — Seattle, WA (Barboza)
• Dec 9 — Portland, OR (Mississippi Studios)
• Dec 11 — Salt Lake City, UT (Kilby Court)
• Dec 13 — Denver, CO (Globe Hall)
• Dec 15 — St. Louis, MO (Off Broadway)
• Dec 16 — Nashville, TN (The Blue Room at Third Man Records)

January–February 2026 (U.S. + Canada headliner)

• Jan 13 — Montréal, QC (L’Esco)
• Jan 14 — Toronto, ON (The Garrison)
• Jan 16 — Detroit, MI (Third Man Records)
• Jan 17 — Chicago, IL (Schubas Tavern)
• Jan 18 — Minneapolis, MN (7th St. Entry)
• Jan 20 — Milwaukee, WI (Cactus Club)
• Jan 21 — Bloomington, IL (The Bishop)
• Jan 23 — Atlanta, GA (Masquerade)
• Jan 24 — Carrboro, NC (Cat’s Cradle)
• Jan 26 — Washington, DC (Songbyrd)
• Jan 27 — Philadelphia, PA (Ukie Club)
• Jan 29 — New York, NY (Bowery Ballroom) — with Golomb
• Jan 30 — Boston, MA (Red Room at Cafe 329)
• Jan 31 — Burlington, VT (Radio Bean)
• Feb 1 — Burlington, VT (Radio Bean)

Tickets, On-Sale Tips & Where to Look

Pitchfork’s announcement hubs out to official ticket partners; JamBase and local venue calendars are also surfacing listings.

For best results, check venue pages, join email lists, and watch for rolling presales common to indie tours. If inventory thins, reputable secondary marketplaces typically aggregate at the venue level.

Pro tip (industry context): The 2025 live market has been hot but uneven—midyear Boxscore trends show fewer top-tier shows but still strong demand—so set alerts and be flexible on sections/dates.
How to shop smarter: Variety’s evergreen ticket-buying guide is a helpful primer on legit sellers and price watching.

The Bill: Golomb on Select Dates

BrooklynVegan teased the pairing and New York’s listing confirms it: Golomb joins at Bowery Ballroom (and potentially more).

It’s a thoughtful match—Golomb’s wiry, left-of-center guitar music complements Freeman’s widescreen Americana. Keep an eye on venue pages for city-by-city support updates.

Sound & Setlist: What You’ll Hear in the Room

Burnover’s palette—alt-country twang, indie crunch, and narrative heft—was widely noted in reviews. Expect the show to swing through guitar-forward anthems (“Point and Shoot”), elegiac slow-burns (“Burnover,” “Wolf Pine”), and crowd-lockers like “Gallic Shrug” and “Sawmill.”

If past fall dates were any indication, the live band leans into dynamic builds and close-to-the-mic vocal storytelling.

Social Buzz & Visual Identity

Freeman previewed the run on Instagram with a wry “More tour!” note, shouting out Golomb. The “Gulch” clip, filmed in Madrid, New Mexico (and at the Cerrillos Burro Race), gives the tour a recognizable visual stamp—dust, endurance, grit—that’s perfect for posters and thumbnails.

Expect show photography to lean raw and high-contrast, capturing that push-pull between tenderness and torque.

Industry Context: Why 2026 Is a Smart Play

After a stuffed 2024–2025 touring cycle, the live business remains strong—and competitive. Billboard’s midyear snapshot charts the power of focused routing; Variety’s reporting flags price pressures and an arms race in live production.

Freeman’s approach—intimate venues, narrative-rich album, and a clear aesthetic—cuts against spectacle with something rarer: closeness. That’s a strong differentiator in a year of mega-tours.

Labels, Team & Cred

Freeman’s site lists Canvasback and Transgressive as label partners—a pairing that explains the rollout precision (tight videos, properly announced dates, clean routing). Add in a Wasserman booking footprint and an energized fanbase, and the runway looks ideal for this headlining step.

Quick Guide: Cities & Venues at a Glance

• West Coast spark: Los Angeles (The Echo), San Francisco (Rickshaw Stop), Seattle (Barboza), Portland (Mississippi Studios).
• Heartland stretch: Denver (Globe Hall), St. Louis (Off Broadway), Nashville (Third Man).
• Great Lakes + Midwest: Detroit (Third Man), Chicago (Schubas), Minneapolis (7th St. Entry), Milwaukee (Cactus Club), Bloomington (The Bishop).
• East Coast sprint: D.C. (Songbyrd), Philadelphia (Ukie Club), New York (Bowery Ballroom), Boston (Red Room).
• Canada + finale: Montréal (L’Esco), Toronto (The Garrison), Burlington two-night close.

How to Prep: Make the Most of a Freeman Night

• Arrive early: These rooms are intimate and fill fast—catch the opener.
• Merch matters: Given Burnover’s visual world, expect strong poster/tee design.
• Know the deep cuts: “Wolf Pine” and “Come and Change My Body” land differently live—worth a few spins before the gig.
• Stay nimble: If your city sells out, Songkick/JamBase alerts and nearby markets can save the day.

Conclusion

Greg Freeman’s major North American tour is less a lap of victory than a moving chapter of Burnover—the album’s dust-devils, heartbreaks, and history flickering to life in packed rooms.

With December touch-offs and a 2026 headline sweep, he’s betting on intimacy and storytelling in a market obsessed with scale. It’s the right call. If Burnover made you feel something on record, these shows promise to take that feeling off the page and into the air. See you by the stage.

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