Key Takeaways
- Colman Domingo officially voices the Cowardly Lion in ‘Wicked: For Good,’ confirming weeks of speculation.
- Director Jon M. Chu teased the surprise voice via Instagram DMs before the reveal—fueling a frenzy of fan sleuthing.
- The Lion is the grown cub Elphaba once rescued, now reentering the story alongside Dorothy, Tin Man, and Scarecrow.
- With the first film a smash and the sequel’s soundtrack dated, momentum is set for a big 2025 finish in Oz.
The reveal lands like a wink through the poppy fields: Colman Domingo—style icon, two-time Oscar nominee, and magnetic screen presence—has been unmasked as the voice of the Cowardly Lion in ‘Wicked: For Good.’
He announced it with playful flair on Instagram, answering weeks of breathless speculation that director Jon M. Chu stoked when he teased a “wild” red-carpet surprise. Suddenly, the Oz quartet is complete. The cub Elphaba once freed will roar again—this time with a voice fans already love.
This piece dives into how the casting happened, why Domingo fits the role emotionally and musically, what the Lion’s return means for the story, the sequel’s soundtrack and sonic shifts, the fandom’s viral moments, and the larger cultural resonance of a proudly queer, fashion-forward star giving courage a new sound in 2025.
Buckle in: we’re following the yellow brick road straight to the finish of a two-part phenomenon.
Why Colman Domingo as the Cowardly Lion Hits Different
Colman Domingo has built a career on presence—voice, poise, and an uncanny ability to mine humanity from complicated men. From prestige TV to acclaimed features, his résumé reads like a masterclass in range and control. (Yes, that’s why he’s a two-time Academy Award nominee.)
As a vocal performance, the Cowardly Lion asks for warmth, wry humor, and vulnerability that edges into bravery; Domingo has lived in those registers for years.
‘Wicked: For Good’ is the grand emotional payoff to a billion-dollar bet—two back-to-back movies shot as one saga. Domingo’s voice adds gravitas to a character fans already cherish, and it aligns with the sequel’s promise: deeper lore, bigger emotions, and catharsis. It’s casting that feels inevitable—like the heart already knew.
From Rescued Cub to Roaring Heart: Where ‘Wicked’ Left the Lion
In Part One, audiences met the Lion as a frightened cub, caged in a classroom after Dr. Dillamond’s capture. Elphaba and Fiyero set him free—an act of compassion that shapes Oz in subtle, fateful ways.
‘Wicked: For Good’ brings him back, older and wounded by the world, intersecting with Glinda and Elphaba’s final chapter and emerging alongside Dorothy’s companions. That connective tissue is crucial: the Lion is no stunt cameo but a living echo of Elphaba’s choices.
Expect the Lion near the march toward Elphaba—specifically woven into “March of the Witch Hunters,” where the Oz quartet’s silhouettes (Scarecrow, Tin Man, Lion, and that Kansas girl) finally converge with Chu’s wider Oz. It’s a convergence built to give fans goosebumps.
The 2025 Reveal: Teases, Sleuths, and A Cheeky “See You, Oz!”
Jon M. Chu didn’t just cast a big name; he engineered a mystery. In mid-October, he told press he’d DM’d a “very busy” actor to record the Lion—“not a ton of lines”—and then promised fans would “go wild” when the identity hit the carpet.
Fans started guessing. Trade outlets flagged the riddle. Then, this morning, Domingo’s Instagram made it official. It was the exact kind of reveal that travels—quickly.
Within minutes, entertainment desks pushed the confirmation and fan accounts clipped the video. (Yes, Wicked Twitter/X lost it.)
Even niche and theater-focused outlets amplified the news, while aggregator threads linked back to the original announcement. The rumor cycle ended; the celebration began.
Soundtrack, Vocals, and a New Roar
‘Wicked: For Good’ arrives with a synced soundtrack drop—11 tracks landing the same day as the movie. The album features two brand-new songs, one for each leading witch: Cynthia Erivo’s “No Place Like Home” and Ariana Grande’s “The Girl in the Bubble,” plus an unearthed piece from the stage musical’s lore.
Those additions suggest a darker, more reflective tone—home, identity, growth—echoing the Lion’s internal tug-of-war.
Will the Lion sing? Universal hasn’t spelled it out, but the character’s placement during “March of the Witch Hunters” points to choral textures and sound-design moments that hinge on vocal character.
Either way, Domingo’s timbre alone can carry subtext. And the franchise’s chart performance says the music will travel: the first film’s soundtrack topped multiple Billboard tallies and crossed into Hot 100 territory—proof that Oz’s melodies still have radio legs.
Fashion, Identity, and the Power of a Voice
The Lion’s courage isn’t just about fear—it’s about facing the crowd and saying, “Here I am.” Few actors embody that better than Domingo, who approaches red carpets like performance art: bold, tailored, conversation-starting.
It’s part of why the casting resonates with LGBTQ+ fans—visibility, glamour, and joyful authorship of self. Expect the campaign trail to double as a visual story before opening weekend.
There’s a through line from his Met Gala-level polish to this voice role: presentation as narrative. Domingo’s fashion has always framed his characters, and that dramaturgy—how a look sets a tone—maps neatly onto voice work.
A smart, feline “purr” in the delivery can do what a thousand pixels can’t: make a CGI creature feel human.
The Oz Quartet Returns—What Changes in Part 2
Fans have long asked how Chu would thread Dorothy, the Tin Man, Scarecrow, and the Cowardly Lion into a story that belongs to Elphaba and Glinda.
The answer, teased in trailers and reporting, is restraint and symbolism: Dorothy largely unseen, the Tin Man and Scarecrow in practical-forward designs, and the Lion as a poignant link to Elphaba’s earlier mercy. It’s a remix of mythology rather than a takeover.
That creative choice preserves the witches’ arc while rewarding Oz diehards with carefully measured nostalgia hits. The Lion’s presence signals consequences: even kindness can ripple in uncomfortable ways. For good.
Fandom, Virality, and the Mini-Drama Over the Lion’s Look
If you’ve scrolled TikTok or X, you’ve seen it: passionate debates about the Lion’s design in trailers. Some fans adored the softer feline face; others wanted something closer to Bert Lahr’s stage-y, man-in-suit energy.
That discourse is fuel, not fire: each clip, meme, and hot take keeps the sequel in Discover feeds, amplifying the reveal’s reach.
Today’s casting confirmation reframes the conversation. With Domingo’s voice attached, even skeptics are reconsidering the design. The right voice can anchor the uncanny—give the CG muscles soul.

Box Office Stakes: Can ‘For Good’ Outdo a Juggernaut?
Universal’s gamble on splitting ‘Wicked’ into two movies already paid off. The first film soared at the global box office and walked into awards season as a contender.
Projections for Part Two’s Thanksgiving frame are bullish, buoyed by pent-up curiosity about the finale, new songs, and the Oz quartet’s arrival. Add the Domingo bump across queer and prestige audiences, and the runway looks strong.
Soundtrack drops drive pre-release streaming, trailers have been steadily escalating, and the fashion-campaign engine (Erivo, Grande, Domingo) will likely keep the film sticky in social scrolls through opening. It’s the kind of slow-boil hype Discover rewards.
The Lore Payoff: Courage, Reframed
In Baum’s canon, the Cowardly Lion doubts his bravery even as he shows it. ‘Wicked’ refracts that trait through trauma and choice: a cub freed, a life lived, a fear learned.
Domingo’s performance can bring that nuance into sharp relief. Courage becomes not a roar, but a confession: I’m scared—and I’m going anyway. That’s more 2025 than any ruby slipper. (And yes, the filmmakers have been explicit about weaving classic Oz touchstones without over-relying on them.)
What Fans Are Saying
The reveal sparked a wave of celebratory posts—think: “perfect casting,” “that VOICE,” and lion emojis galore. Even accounts that had been side-eyeing the CG are posting “OK but Colman’s voice changes everything.”
Meanwhile, Wicked stan hubs on X are sharing the clip and touting the November release like a holiday. (Receipts? Plenty.)
The 2025 Era—A Finale, Not a Footnote
‘Wicked: For Good’ isn’t a bonus chapter. It’s the emotional landing. With Domingo’s Lion added to the mix, the finale gains texture: courage as a melody, tenderness as armor.
It’s a role small enough to keep the spotlight on Elphaba and Glinda, yet resonant enough to echo after the final notes. That balance is very Chu—and very ‘Wicked.’
Conclusion
Colman Domingo voicing the Cowardly Lion is more than a neat Easter egg; it’s the emotional key that locks Oz’s final door. Courage, in ‘Wicked,’ isn’t the absence of fear—it’s the audacity to love, to defend, to show up. Domingo’s voice can make that truth ring.
So when the curtain rises on ‘Wicked: For Good’—new songs swelling, witches facing destiny—listen for the rumble under the chorus. That purr-turned-roar? It’s Colman Domingo, the Cowardly Lion in ‘Wicked,’ reminding us that courage is a choice we make, again and again, in 2025.
FAQs
Who voices the Cowardly Lion in ‘Wicked: For Good’?
Colman Domingo has officially been revealed as the voice of the Cowardly Lion.
Is this the same Lion cub Elphaba rescued in Part One?
Yes. In ‘Wicked,’ Elphaba frees a caged cub; in Part Two, that grown Lion reenters the story alongside Dorothy’s companions.
When does ‘Wicked: For Good’ hit theaters?
The sequel is slated for November 21, 2025, with the soundtrack releasing the same day.
Did the director really find the Lion’s voice via Instagram?
Director Jon M. Chu said he DM’d a well-known actor to record the lines, teasing a “wild” reveal—now confirmed as Domingo.
How big is the Cowardly Lion’s role?
Chu described it as limited dialogue—a strategic, emotional cameo woven into key moments like “March of the Witch Hunters.”
What’s new about the ‘For Good’ soundtrack?
It includes 11 tracks and two brand-new songs—Cynthia Erivo’s “No Place Like Home” and Ariana Grande’s “The Girl in the Bubble”—plus an unearthed stage piece.
How did the first movie perform—and what are Part Two’s prospects?
Part One was a global hit with awards recognition; analysts project a robust Thanksgiving launch for Part Two.
Nishant Wagh is the founder of The Graval and a seasoned SEO and content strategist with over 15 years of experience. He writes with a focus on digital influence, authority, and long-term search visibility.













